December 2, 2013
“What do you suppose it means?” he asked. “‘DO WHAT YOU WISH.’ That must mean I can do anything I feel like. Don’t you think so?”
All at once Grograman’s face looked alarmingly grave, and his eyes glowed.
“No,” he said in his deep, rumbling voice. “It means that you must do what you really and truly want. And nothing is more difficult.”
“What I really and truly want? What do you mean by that?”
“It’s your own deepest secret and you yourself don’t know it.”
“How can I find out?”
“By going the way of your wishes, from one to another, from first to last. It will take you to what you really and truly want.”
“That doesn’t sound so hard,” said Bastian.
“It is the most dangerous of journeys.”
-Michael Ende, The Neverending Story
I’ve drawn this comparison before, but I was thinking about it again a few nights ago as I made myself a green bean casserole for dinner, for no better reason than that I wanted it and I could.
Life is like Cats. The Andrew Lloyd Weber musical.
One night when I was nine, my parents were going out to see the touring production of Cats that was in town, and we were getting left with a babysitter. I whined and begged to be allowed to go see the show—cats were one of my principal obsessions at the time.
“No honey, you don’t want to see this,” my parents told me. “It’s not really about cats. You’ll be bored.”
For many years, I tacitly accepted this—that the musical Cats was not really about cats. I never even questioned what Cats was really about. Something for adults, and therefore opaque and boring. Not cats.
Then in my senior year of high school, I took an acting class. And to give us an easy day one class period after a long week, we got to watch the PBS video recording of the musical Cats. “Oh great,” I thought, “I’ll finally see what Cats is really about.”
It was a somewhat mind-blowing moment when those actors, in cat suits and gorgeous cat makeup, started to creep onstage. Because let me tell you something, in case you’re not familiar with the show…
Cats, the musical, is really, literally, about cats.
It isn’t not about cats just because it’s also about life, death, faith, loyalty, and memory. Like Watership Down isn’t not about rabbits, just because it’s also about persecution, oppression, idealism, and hope.
Likewise, I was told a lot that “Adulthood is not about just doing whatever you want.” As if the freedom and autonomy to live and work in a way that was acceptable to me was some trivial, stupid thing that I was just going to have to get over.
I decided I would never be an adult, then. Because if that’s what it meant, that wasn’t something I was capable of.
And then I grew up.
As it turns out? Adulthood actually is about doing what you really want.
Adulthood really means making your own decisions about what kind of life you want to lead, what kind of person you want to be, what kind of mark you want to leave on the world. That doesn’t mean that it’s not work, that there are no consequences or costs to those decisions, or that you never have to do anything you don’t want to do, or face things you don’t want to face. It doesn’t mean that there are no obstacles or hardships.
But the decisions themselves, about what you’re doing on this earth and why—those belong to you.
So that’s how adulthood is like the musical Cats.
For some reason, people tell you that it’s not really about exactly what it is really about. It’s just that the truth is both harder and better than anyone wanted you to know.
December 27, 2011
I think I never intended to write this post. It’s personal, and it’s a hissy fit, but one I felt a certain responsibility, the more I reflected on it, to transcribe.
I was diagnosed with Asperger’s Syndrome last year, which most of you probably know because I talk about it on Facebook enough, because I decided that it was part of my life that I wasn’t going to make any particular effort to hide, because I had nothing to be ashamed of. (I’d known the truth for several years before I sought out a correct diagnosis; a few people knew, but I didn’t talk about it much, for fear of a lot of things.) I really have no idea what people think of me as a result, because I stopped concerning myself at a pretty early age with what people think of me. Because living in thrall to the opinions of people who don’t have to live your life is no way to live at all.
Anyway, so I’d started to think of it as old news that I was autistic. I’d started to settle in to living as a whole person, without an emotional double life. Then last night, I was rather emphatically asking my mother not to describe a young relative, currently in the process of being evaluated for autism himself, as not having a personality, because such language is often used to justify all kinds of mistreatment and prejudice against us, besides not being true.
“But you’re not autistic.”
Which is where my brain froze up. Because honestly? I don’t know what else I am. Everything comes home to that. Everything. Before I understood what AS really was, I didn’t know what I was at all, except for lost and completely alone in the world.
“I don’t think of you as really autistic.”
This is everything I didn’t have it together enough to say at the time. This is what I’d say going forward:
If you can’t see me as autistic, then you need to revise your view of autism.
I am “not like that kid” you saw who runs around screaming, or who can’t communicate at all, because I grew up. And because we’re all different, because we’re all different people, who cope with unique profiles of challenges and gifts in individual ways. I am “not like that kid,” because, to be perfectly literal, I am not that kid.
We are as unique as the stars. They say autism is a spectrum, but I don’t think that really describes its variety and complexity well. It’s not a simple progression from mild to severe. I often say it’s more like a constellation, or galaxy (which, another blogger pointed out to me today, has the added metaphorical benefit of being a 4-dimensional construct; it changes through time for every person as well). There are people with far more severe problems with independent living than I have, who are smarter, better writers, incredible artists or just incredible people.
I am far more fortunate than many, and not as lucky as others. I know this; you don’t need to rub my nose in it.
If you can’t think of me as autistic because I have so much personality…actually, we usually do.
If you can’t think of me as autistic because you see me as a competent adult, you didn’t know me as a child.
If you can’t think of me as autistic because I’m verbal and communicative…read more about AS. Those things are features of the condition.
If you can’t think of me as autistic because I’m so good at my job…please consider that it’s a job that largely entails “keeping track of everything that no one else wants to” (to paraphrase the college instructor who introduced me to stage management as a career option), organizing, color-coding, and working with a collection of people who are also socially marginalized, passionate, obsessive, highly sensitive, and reliant on consistency and repetitive and ritualized behavior. (Actors, I adore you all so much.)
If you think I can’t be autistic because I’m so good at multitasking, well, I’m not. Good at multitasking, that is…I can’t do it at all. I know I’m taking a certain risk in telling you this. What you see when you see me do my job is the result of copious amounts of planning, mental choreography, scripting, queuing, pre-thinking, mapping out scenarios like computer flowcharts, making Excel spreadsheets, preparation and learning from experience, and excellent assistants being good at their jobs, too. (Stage management and life with Asperger’s are both centered around dealing with a quantity of data that a single human being is not truly equipped to handle.)
You get good at anything you do for a long time. I got good at my life when I stopped trying to live one that I realized I could never have.
If you can’t believe I’m autistic, what on God’s green earth do you think I am? Because I sure as hell failed at being normal.
I’m autistic. There’s not another or a better word for what I am. It’s one I searched long and fought hard for.
If you can’t think of me as autistic, it’s not so much for my sake that I care, but watch out that it’s not because you can’t believe that autistic people can be intelligent, kind, good-humored, good friends, good at our jobs, capable of love, highly-skilled or talented, complete human beings. Because if your prejudice is that autistic people can’t be these things, you take chances for jobs, education, friendships, and quality of life away from autistic people who are a whole lot less lucky than I am.
November 9, 2011
Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true?
We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La.
-George R. R. Martin, author
I feel much the same way as GRRM about fantasy—that it connects us to a deep internal knowledge and history of our own psyches, and recalls something huge and eternal in us. Epic fantasy, when I was in middle and high school, assured me that there was so much more worth living for than my schools and community were trying to tell me.
But I’m not sure about his dim view of reality…as opposed to the disposable and shallow nature of much of what is sold to us as “reality,” and told we have to accept as the scope of our adult lives.
May I suggest, that if strip malls, plastic and plywood define your reality, and you don’t like it…you’re doing reality wrong.
Because reality is all that stuff, George, but reality is also—
The whistle and rumbling murmur of an early-morning train.
Reality is the first pale green shoots of peppermint pushing up through the dirt in March.
Reality is the guy who plays Simon and Garfunkel’s “El Condor Pasa” on Peruvian pan pipes in the Times Square subway station.
Reality is the stunning silence of a great blue heron taking flight.
Reality is the old Hispanic men in my neighborhood who sit outside in the summertime, playing an eternal sidewalk game of dominos with their boomboxes turned up loud.
Reality is sunset over the Hudson River.
Reality is moonlight, starlight, candle light, lantern light.
Reality is creaky old bookstores, and the thrill of reading a forbidden book hidden between the shelves.
Reality is the feel of sand as soft as cake flour under your feet.
Reality is the smell of wood smoke on the first cold night of fall.
Reality is stained glass, dark coffee, red wine, rosewood incense. The brush of a fat cat around your ankles, the way evening light moves over the Brooklyn Bridge and tops of the sycamore trees, rooftop Fourth of July parties with the sky on fire around you, waking up on a foggy morning in the Catskill mountains, the sound of the concertmaster tuning an orchestra, tiny cemeteries behind old churches, hidden waterfalls, thunder in a snowstorm, the way deer’s eyes shine in the dark in a flashlight beam.
Nurture magic, wonder, and beauty wherever they occur in your life. They are real—far more real than strip malls, suburban office parks, and Disneyland—whatever anyone tells you.
September 5, 2011
I so, so wanted to like this article from the Times, about what some recent graduates of prestigious universities are doing with their lives during the economic downturn instead of the stable, decently-paying jobs in their career field that just aren’t available. (Generation Limbo: Waiting It Out) I so, so almost did like it a lot. Obviously, we didn’t get past the headline without another cute moniker for the latest crop of highly-educated youth left aimless and adrift by the recession (how many names have we had? Gen Y, Gen Why?, The Millennials, the Peter Pan generation…I’ve had a couple of ciders and I’m losing track. What are we now?), but it came so close to hitting a mark of sorts concerning how young adults are coping with this economy, without a heavy dose of the condescension and belittlement that so often accompanies Times articles about the generation that supposedly just won’t grow up.
It’s not the subject matter of this article that I find objectionable, because I’m very interested in what young adults and especially the newest graduates are finding to do right now.
It’s the slight tone of amazement and false levity that’s a little annoying. A summary of the article could almost have read “Some graduates without corporate jobs decide to not be miserable, live lives anyway, do something creative.”
Lions and tigers and bears, oh my.
Some of the subjects profiled are Stephanie Kelly, who has two underwhelming part-time jobs, but sort of enjoys the spare time she has to cook and write; Amy Klein, who took up a friend’s offer to join a punk band when it was clear that a career in publishing wasn’t going to be forthcoming anytime soon; and Sarah Weinstein, who manages a bar while doing media relations for an animal shelter as a volunteer.
“No career? No prospects? No worries!” chirps the author in summation of the outlook of these graduates who are taking their situation in stride, or doing something unconventional instead. But this is simplistic and patronizing. No, there are plenty of worries associated with having no job stability, an irregular income, little affordable housing, no health insurance, and no idea when the economy might really turn around or how long you might be jerry-rigging a life this way. But you can let them terrify you into paralysis and submission and mope around your parents’ house sending out resumés that may get looked at sometime around 2015, or you can go out and do something–anything–anyway.
“They are thinking more in terms of creating their own kinds of life that interests them, rather than following a conventional idea of success and job security,” says Klein.
This is sort of how it’s always been for people who, for many reasons, can’t find a place in the mainstream or corporate job market. And I feel for the younger grads who are finding themselves not able to have the kinds of lives they were brought up to believe they should. And there are definitely bigger problems of economic justice when a significant portion of a highly educated generation just can’t make money. But that so many are relearning what they can and can’t do without, and what really matters to them, and questioning what kind of life they really want as opposed to what they once just assumed they’d have, I believe has the potential to be a great thing for America in the long run.
“They are a postponed generation,” intones Cliff Zukin, author of a study from Rutgers on the economic situation of recent graduates. But people profiled in the article like Kelly and Klein…well…they’re not. Just because they’re not doing what they might’ve been in a different economic climate doesn’t mean they’re waiting around with their lives on hold, as if the only life worth working for is comprised of traditional job stability, marriage, kids and home ownership.
Life doesn’t get postponed, though certain goals might; life gets lived, one way or another. Bad economies don’t stop time.
Why should writing, cooking, taking a punk band on the road or doing whatever paid job you can stand to do while you work as a volunteer or activist for another cause be considered stalling on the life path? Just because it’s a life path that doesn’t take for granted what the upper middle class used to, in the same time frame? Why is this necessarily considered being stuck in neutral rather than just in uncharted territory?
I’d be willing to bet, for instance, that the day will come when Ms. Klein, whatever she ultimately ends up doing, will be glad for the creative and organizational lessons that she learns on the road with her band, as well as feeling artistically fulfilled. Because life is funny and resonant and meaningful like that if you’re paying attention.
So godspeed to the young graduates who don’t see a reason to give up and stop living just because their expectations have been knocked around. I prefer their attitude to that of the experts telling us how stalled and postponed they are.
August 5, 2011
“You don’t have to get a job that makes others feel comfortable about what they perceive as your success. You don’t have to explain what you plan to do with your life. You don’t have to justify your education by demonstrating its financial rewards. You don’t have to maintain an impeccable credit score. Anyone who expects you to do any of those things has no sense of history or economics or science or the arts.
You have to pay your own electric bill. You have to be kind. You have to give it all you got. You have to find people who love you truly and love them back with the same truth.
But that’s all.”